When you think about discovering new music, an all-male a cappella group at a state university might not be the first thing that comes to mind. But for Austin Ota, a fourth-year journalism student at the University of Oregon and a member of On The Rocks, a cappella isn’t just about tight harmonies, it’s about connection, exploration, and learning how to really listen.
In a conversation that spanned everything from Lady Gaga to Hozier, Austin shared how his time in a cappella has broadened his musical perspective, strengthened friendships, and even influenced his taste in artists he might not have found otherwise.
Meet Austin Ota!
Austin is a senior journalism major at the University of Oregon with a minor in sports business. A lifelong performer, he’s been involved in music and theater for years, and after a brief hiatus early in college, he returned to the world of a cappella with a renewed sense of purpose and passion.
Finding His Voice (Again)
“I’ve been performing my whole life,” Austin said. “I started in musical theater, then choir in high school.” A persistent nudge from his former vocal coach led him to audition for UO’s gender-inclusive group Mind the Gap, but after one term, he took a break to focus on his career. “At the start of junior year, I decided to re-audition, this time for On The Rocks,” he said.
Now, Austin sings tenor in the group. While he doesn’t hold a leadership role, he plays an important part in shaping each performance, especially during their high-energy Friday night shows.
Highlights, Harmonies, and Hidden Gems
When asked about a standout moment, Austin lit up talking about their performance of Bad Romance by Lady Gaga. “It was really special. That song kind of defined the group in my first year, and we were the first to bring it back after years, it has like 14 million views on YouTube,” he explained.

Their song selections are typically chosen by the group’s musical directors, with the weekly setlist being finalized based on past performances and which members are available. This dynamic process keeps things fresh and ensures the group can adapt on the fly.
Austin also credits a cappella with improving his musical ear. “There are certain songs that are more or less a cappellable, as I call it, I can hear more parts now and have a better sense of how arrangements work.”
Music Discovery & Genre Fluidity
Surprisingly, a cappella also led Austin to one of his favorite new artists. “My girlfriend is in Divisi, the treble-voice group, and they sing a lot of Sammy Rae and Friends. I love her music now.”
When it comes to genre, Austin is open-minded. “Honestly, I listen to anything,” he admitted. “But I don’t dig too deep into underground music.” Still, he name-dropped Johnny Manchild as a lesser-known artist he’d love to collaborate with, especially thanks to a friend’s recommendation.
Austin’s Picks
As someone who’s always exploring new music, Austin also shared a few songs that he personally recommends, tracks that span genres, moods, and artists you may not have heard before. His taste leans toward emotional, lyrically rich music with atmospheric instrumentals and a touch of indie soul.
Here’s a list of Austin’s current go-to playlist:
- “francesca” – Hozier
- “Coming Home Song” – Sammy Rae
- “Simple Song” – The Shins
- “Romeo and Juliet” – Peter McPoland
- “Lady by the Sea” – Stephen Sanchez
- “Tek It” – Cafuné
- “Lead Me On” – Nate Poshkus
- “touch tank” – quinnie
- “Fall in Love Alone” – Stacy Ryan
It’s the kind of playlist that pairs perfectly with rainy afternoons, long drives, or moments when you just want to feel something real. It also reflects Austin’s wide-open approach to music—one where genre isn’t a boundary, but an invitation to explore.
Final Notes & Expert Advice
Reflecting on the group’s recent 25th anniversary show, Austin emphasized how lasting the impact of a cappella has been. “It’s something we poke fun at, the ‘brotherhood,’ but it’s real. We all do love each other like brothers, and the connections you make are amazing.”
When asked what advice he’d give to someone trying to expand their music taste, he said, “Don’t turn down an artist just because you don’t like one song. Especially if it’s one of their most popular.”
And when it comes to what makes a performance stick? “It’s always the songs that mean the most to the artist that are the most impactful.”

Closing Thoughts
Austin’s story reminds us that music discovery isn’t just about what we listen to, it’s about how we engage with it. Whether it’s a pop anthem reimagined through human voices or finding a new favorite artist through someone else’s passion, expanding our musical world often starts with a simple choice: being open.



















